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Dr Christopher Wiley guest-edits special issue of the Journal of Musicological Research on musical biography

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JMR 38 3-4

Dr Christopher Wiley has guest-edited a special double-issue of the Journal of Musicological Research together with co-editor Dr Paul Watt (Monash University, Melbourne).

Entitled ‘Musical Biography: Myth, Ideology, and Narrative’, the special issue comprises Vol. 38, Nos. 3–4 of the journal, and developed originally from a conference on musical biography co-organized by the editors in 2015.

The special issue includes articles by a wide range of international scholars: Kirsty Asmussen, Anna Maria Barry, Joanne Cormac, Uri Golomb and Ronit Seter, Markéta Kratochvílová, Emily MacGregor, Richard Parfitt, Paul Watt, and Christopher Wiley.

Dr Wiley’s contribution to the special issue includes his 10,000-word article, ‘Myth-Making and the Politics of Nationality in Narratives of J.S. Bach’s 1717 Contest with Louis Marchand’ (pp. 193–215), which examines the widely divergent writing on a single biographical episode across the countries and centuries (see abstract here).

Dr Wiley and Dr Watt also co-authored an introductory article, ‘Musical Biography in the Musicological Arena’ (pp. 187–92), in which they reflect on the current status of musical biography within the discipline of musicology.

The full table of contents for the special issue is available here: https://www.tandfonline.com/toc/gmur20/38/3-4

Bibliographic citations 

Wiley, Christopher and Watt, Paul (eds.). ‘Musical Biography: Myth, Ideology, and Narrative’, Journal of Musicological Research, Special Issue, Vol. 38, Nos. 3–4 (2019).

Wiley, Christopher and Watt, Paul. ‘Musical Biography in the Musicological Arena’, Journal of Musicological Research, Vol. 38, Nos. 3–4 (2019), pp. 187–92. doi: 10.1080/01411896.2019.1644140

Wiley, Christopher. ‘Myth-Making and the Politics of Nationality in Narratives of J.S. Bach’s 1717 Contest with Louis Marchand’, Journal of Musicological Research, Vol. 38, Nos. 3–4 (2019), pp. 193–215. doi: 10.1080/01411896.2019.1644141

 

Dr Christopher Wiley chairs roundtable and presents paper at Royal Musical Association annual conference in Manchester

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Dr Christopher Wiley has chaired and presented at a roundtable discussion at the 55th Annual Conference of the Royal Musical Association, hosted by the University of Manchester and the Royal Northern College of Music on 11–13 September 2019.

Entitled ‘What is the place for storytelling in academia? Autoethnography, critical self-reflection, and arts-based practice in music studies’, the roundtable was held in the Carole Nash Recital Room at the Royal Northern College of Music, and was attended by some 50 music scholars representing a wide range of institutions internationally.

The 90-minute roundtable included Dr Wiley’s paper ‘Stories of the self(s) in music studies: method, self-reflexivity, and narrative enquiry’, in which he discussed the potential applications of autoethnography to the discipline of music as well as criticisms that the methodology has elicited, alongside presentations by fellow panellists Esther Cavett, Ian Pace, and Darla M. Crispin.

The conference website is located here: https://www.alc.manchester.ac.uk/music/connect/events/rma2019/

The full programme may be downloaded here: https://www.alc.manchester.ac.uk/music/connect/events/rma2019/programme/

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Dr Christopher Wiley publishes creatively written journal article on autoethnography, autobiography, and arts research

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Dr Christopher Wiley haMDG-Actions published an article in a special issue of Action, Criticism, and Theory in Music Education (the refereed journal of the MayDay Group) on autoethnography and related methodologies, guest-edited by Peter Gouzouasis.

Entitled ‘Autoethnography, Autobiography, and Creative Art as Academic Research in Music Studies: A Fugal Ethnodrama’, the article is written creatively as an imagined dialogue between Dr Wiley and two fictional doctoral students, constructed according to the principles of fugue.

In successive sections, it discusses the application of autoethnography to music studies, the difference between autoethnography and autobiography, and the types of materials that represent valid sources for autoethnography, including creative writing as well as musical works themselves.

Dr Wiley’s article may be read online in HTML format here: http://act.maydaygroup.org/act-18-2-wiley/

It may be downloaded as a PDF here: http://act.maydaygroup.org/articles/Wiley18_2.pdf

The full issue of the journal may be accessed here: http://act.maydaygroup.org/volume-18-issue-2/

 

 

Dr Christopher Wiley convenes student panel discussion at University of Surrey Teaching Symposium

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Dr Christopher Wiley facilitated a student discussion panel at the University of Surrey’s sixth annual Surrey ExciTeS (Excellence in Teaching Symposium) on Wednesday 3 April 2019, on the subject of student-staff partnerships.

The forum, entitled ‘Giving music students ownership of their learning’, discussed the Music Project module that had taken place during the previous semester on the theme of musical theatre, and the wide range of activities that students undertook in their assessments, from performances to compositions to organizational roles.

The panel of undergraduate Music students – Diana Nemyrovska, Katy Jackson, Heather Neele, and Edward Bellett-Travers (pictured, l-r) – answered questions from academics and learning support staff from across the University.

Dr Wiley has delivered sessions at Surrey ExciTeS events in 2018201720162015, and 2014, including a previous student discussion panel in 2017.

Case study by Dr Christopher Wiley features in book publication on teaching in higher education

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Developing Your Teaching

Dr Christopher Wiley has featured as a case study in a new book publication on teaching in higher education.

The second edition of Developing Your Teaching: Towards Excellence by Peter Kahn and Lorraine Anderson, in Routledge’s Key Guides for Effective Teaching in Higher Education series, includes vignettes and case studies on a wide range of topics.

Dr Wiley’s case study, ‘Going the extra mile with a postgraduate teaching qualification’, draws upon his experiences in reading for the degree of MA in Academic Practice at City University London, from which he graduated in 2015, in order to consider the benefits of higher education teaching qualifications.

It is a streamlined and reworked version of an essay that Dr Wiley previously published in Educational Developments, The Magazine of the Staff and Educational Development Association (SEDA), in December last year.

Details of the book may be found here: https://www.routledge.com/Developing-Your-Teaching-Towards-Excellence-2nd-Edition/Kahn-Anderson/p/book/9781138591196

Dr Christopher Wiley publishes article on module evaluation surveys in Studies in Educational Evaluation journal

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X0191491XDr Christopher Wiley has published an article on standardized student evaluation of teaching in the peer-reviewed journal Studies in Educational Evaluation (ISSN: 0191-491X).

Dr Wiley’s article, ‘Standardised module evaluation surveys in UK higher education: Establishing students’ perspectives’, explores the views of student representatives at a single university.

Originally developed in partial fulfilment of the degree of MA in Academic Practice, this research indicates that standardizing module evaluation limits its applicability to local contexts, and that caution should be exercised over interpreting its results in isolation.

Bibliographic citation 

Wiley, Christopher. ‘Standardised module evaluation surveys in UK higher education: Establishing students’ perspectives’, Studies in Educational Evaluation, Vol. 61 (June 2019), pp. 55–65. doi: 10.1016/j.stueduc.2019.02.004

Full text

The full text is available for free download under licence from Surrey Research Insight Open Access.

The article may be previewed here: https://authors.elsevier.com/a/1YhNB_,RtPex1z

 

Dr Christopher Wiley delivers paper in the Faculty of Music Colloquium Series at the University of Cambridge

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University of Cambridge Faculty of MusicDr Christopher Wiley presented a 45-minute version of his paper ‘Reconsidering Ethel Smyth’s The Boatswain’s Mate as Feminist Opera’ in the Faculty of Music Colloquium Series at the University of Cambridge.

Dr Wiley’s talk, given to an audience of some 40 academics and graduate students in the Faculty’s lecture room, was a much extended version of the paper he has delivered at women’s history events at UK universities including KentPortsmouthSurreyRoyal Holloway, and Edge Hill.

Dr Wiley previously gave an unrelated paper in an Oxbridge colloquium series in 2015.

Further information about Dr Wiley’s colloquium may be found here: https://www.mus.cam.ac.uk/events/current-events/Christopher-Wiley

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