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Dr Christopher Wiley publishes 50th review for Musical Theatre Review

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Musical Theatre ReviewDr Christopher Wiley has written 50 reviews since February 2014 for the digital magazine Musical Theatre Review, which covers a wide variety of live events internationally, ranging from pop gigs to opera in addition to musical theatre, and is Vuelio’s no.2 theatre blog.

Among the many highlights of Dr Wiley’s activity include reviews of Elaine Paige’s ‘Stripped Back’ tour, of Mandela Trilogy by Cape Town Opera at the Royal Festival Hall, London, and of the international première of Strictly Ballroom: The Musical at Sydney Lyric Theatre, Australia.

Other highlights include the 2014 revival of Rodgers and Hammerstein’s Carousel; Sinatra: The Main Event at Cadogan Hall, London, starring Richard Shelton; and solo shows by leading West End stars Daniel Koek and Nadim Naaman.

Coincidentally, Dr Wiley’s first and 50th reviews were of two shows written and performed by the same artist, comic songwriter Alexander S. Bermange. The artist most frequently reviewed by Dr Wiley is Pippa Winslow, who features in seven different reviews.

Dr Wiley has also reviewed student productions by many of the major performing arts institutions and organisations, particularly Guildford School of Acting and Youth Music Theatre UK; as well as many new works of musical theatre, and one-off productions in popular London venues such as The Pheasantry.

A complete listing of Dr Wiley’s reviews for Musical Theatre Review is available at the following link: http://musicaltheatrereview.com/?s=Christopher+Wiley

Dr Christopher Wiley contributes programme notes to BBC Proms programme

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Royal Albert HallDr Christopher Wiley has contributed notes to the programme for The BBC Proms concert at the Royal Albert Hall (pictured) on Wednesday 1 August 2018.

Prom 24, ‘A Hero’s Life’, presented Ethel Smyth’s ‘On the Cliffs of Cornwall’ (Prelude to Act 2 of her opera The Wreckers), as well as Dvořák’s Cello Concerto in B minor and Richard Strauss’s tone poem Ein Heldenleben.

As an internationally leading researcher on Ethel Smyth, Dr Wiley was invited to write programme notes for ‘On the Cliffs of Cornwall’ as well as a brief biographical profile for the composer.

A regular fixture at The Proms during her own lifetime, Smyth’s ‘On the Cliffs of Cornwall’ was programmed for the 2018 season mindful of the composer’s period of activity as a leading suffragette, in the centenary year of many women receiving the parliamentary vote in the UK for the first time.