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Dr Christopher Wiley writes ‘Composer of the Month’ article on Ethel Smyth for Australia’s Limelight Magazine

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Dr Christopher Wiley has contributed an article on Ethel Smyth for the January/February 2020 issue of Limelight, Australia’s classical music and arts magazine, for its ‘Composer of the Month’ feature.

In the four-page article (pp. 76–79), Dr Wiley introduces Smyth to the readers, discussing her life story as well as drawing attention to salient features of her musical works.

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Dr Christopher Wiley gives talk on Ethel Smyth for Byfleet Heritage Society

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St Mary's Centre for the CommunityDr Christopher Wiley delivered a talk entitled ‘Dame Ethel Smyth (1858–1944), Composer, Author, Suffragette, and Surrey Resident’ for Byfleet Heritage Society at St Mary’s Centre for the Community, Byfleet on Thursday 21 November 2019.

Speaking to an audience of some 50 society members, Dr Wiley introduced Smyth’s life, music, and connections to the local area, in a 50-minute talk illustrated with musical excerpts.

An acknowledged expert on Smyth, Dr Wiley has previously given many talks on the composer, writer, and suffragette including those for Woking Historical Society, Guildford Hard of Hearing Support Group, and at Smyth’s childhood home in Frimley Green.

Dr Christopher Wiley guest-edits special issue of the Journal of Musicological Research on musical biography

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Dr Christopher Wiley has guest-edited a special double-issue of the Journal of Musicological Research together with co-editor Dr Paul Watt (Monash University, Melbourne).

Entitled ‘Musical Biography: Myth, Ideology, and Narrative’, the special issue comprises Vol. 38, Nos. 3–4 of the journal, and developed originally from a conference on musical biography co-organized by the editors in 2015.

The special issue includes articles by a wide range of international scholars: Kirsty Asmussen, Anna Maria Barry, Joanne Cormac, Uri Golomb and Ronit Seter, Markéta Kratochvílová, Emily MacGregor, Richard Parfitt, Paul Watt, and Christopher Wiley.

Dr Wiley’s contribution to the special issue includes his 10,000-word article, ‘Myth-Making and the Politics of Nationality in Narratives of J.S. Bach’s 1717 Contest with Louis Marchand’ (pp. 193–215), which examines the widely divergent writing on a single biographical episode across the countries and centuries (see abstract here).

Dr Wiley and Dr Watt also co-authored an introductory article, ‘Musical Biography in the Musicological Arena’ (pp. 187–92), in which they reflect on the current status of musical biography within the discipline of musicology.

The full table of contents for the special issue is available here: https://www.tandfonline.com/toc/gmur20/38/3-4

Bibliographic citations 

Wiley, Christopher and Watt, Paul (eds.). ‘Musical Biography: Myth, Ideology, and Narrative’, Journal of Musicological Research, Special Issue, Vol. 38, Nos. 3–4 (2019).

Wiley, Christopher and Watt, Paul. ‘Musical Biography in the Musicological Arena’, Journal of Musicological Research, Vol. 38, Nos. 3–4 (2019), pp. 187–92. doi: 10.1080/01411896.2019.1644140

Wiley, Christopher. ‘Myth-Making and the Politics of Nationality in Narratives of J.S. Bach’s 1717 Contest with Louis Marchand’, Journal of Musicological Research, Vol. 38, Nos. 3–4 (2019), pp. 193–215. doi: 10.1080/01411896.2019.1644141

Dr Christopher Wiley delivers paper in the Faculty of Music Colloquium Series at the University of Cambridge

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University of Cambridge Faculty of MusicDr Christopher Wiley presented a 45-minute version of his paper ‘Reconsidering Ethel Smyth’s The Boatswain’s Mate as Feminist Opera’ in the Faculty of Music Colloquium Series at the University of Cambridge.

Dr Wiley’s talk, given to an audience of some 40 academics and graduate students in the Faculty’s lecture room, was a much extended version of the paper he has delivered at women’s history events at UK universities including KentPortsmouthSurreyRoyal Holloway, and Edge Hill.

Dr Wiley previously gave an unrelated paper in an Oxbridge colloquium series in 2015.

Further information about Dr Wiley’s colloquium may be found here: https://www.mus.cam.ac.uk/events/current-events/Christopher-Wiley

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Dr Christopher Wiley delivers paper at community workshop at the University of Kent

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Dr Christopher Wiley at the University of Kent

Dr Christopher Wiley has spoken at the ‘100+ years of the women’s movement in Kent, Sussex, and Surrey’ community workshop held in the Tonbridge Centre at the University of Kent on Saturday 8 December 2018.

Dr Wiley’s paper, entitled ‘Ethel Smyth, Music, and the Suffragette Movement: Reconsidering The Boatswain’s Mate as Feminist Opera’, had previously been presented at UK universities including PortsmouthSurreyRoyal Holloway, and Edge Hill. The day ended, rather fittingly, with an impromptu rendition of Smyth’s ‘The March of the Women’.

The full programme for the workshop may be found at the following link: https://blogs.kent.ac.uk/womenshistorykent/programme-of-community-workshop-on-8th-december/

Dr Christopher Wiley publishes two articles in Women’s History journal

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Dr Christopher Wiley has contributed two articles to the latest issue of Women’s History, the journal of the Women’s History Network.

The special double-issue, ‘1918-2018’, was dedicated to the women’s suffrage movement in the centenary year of women gaining the parliamentary vote in the UK, and features essays by a range of leading scholars of women’s history.

Dr Wileys first article, ‘Ethel Smyth, Suffrage and Surrey: From Frimley Green to Hook Heath, Woking’, combines women’s history and local history in order to illustrate how the suffragette campaign was highly dependent on rural locations through the example of Ethel Smyth.

His other article is ‘A Fresh Start and Two (More) Portraits: Theatrical Shows on the Life and Work of Ethel Smyth for 2018’, a review-article of Ethel Smyth: Grasp the Nettle and Ethel Smyth: A Furious Longing (the latter having been co-written by Dr Wiley).

Further information on the journal special issue is available here: https://womenshistorynetwork.org/womens-history-autumn-2018/

Bibliographic citations

Wiley, Christopher. ‘Ethel Smyth, Suffrage and Surrey: From Frimley Green to Hook Heath, Woking’, Women’s History: The Journal of the Women’s History Network, Vol. 2, No. 11 (Autumn 2018), pp. 11–18.

Wiley, Christopher. ‘A Fresh Start and Two (More) Portraits: Theatrical Shows on the Life and Work of Ethel Smyth for 2018’, Women’s History: The Journal of the Women’s History Network, Vol. 2, No. 11 (Autumn 2018), pp. 39–40.

Full texts

The full texts are available for free download under licence from Surrey Research Insight Open Access: http://epubs.surrey.ac.uk/849970/ and http://epubs.surrey.ac.uk/849971/

Dr Christopher Wiley writes programme notes for BBC Symphony Orchestra and Chorus concert

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The BarbicanDr Christopher Wiley has written programme notes for the BBC Symphony Orchestra and Chorus concert at The Barbican, London (pictured) on Thursday 15 November 2018.

Dr Wiley contributed programme notes for Ethel Smyth’s Mass in D as well as a biographical profile of the composer.

Dr Wiley previously wrote programme notes for a BBC Proms concert featuring Smyth’s music in August of this year.

The concert presented Smyth’s Mass in D alongside Tchaikovsky’s Piano Concerto No.1 (original version).

Further information on the event may be found here: https://www.barbican.org.uk/whats-on/2018/event/bbc-sobrabbins-ethel-smyth-mass-in-d

Dr Christopher Wiley gives pre-concert talk in Southwark Cathedral, London

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Southwark Cathedral Entrance

Dr Christopher Wiley has given a pre-concert talk on Ethel Smyth for a performance of the composer’s Mass in D in Southwark Cathedral, London (pictured) on Saturday 3 November 2018.

In the 15-minute talk, Dr Wiley addressed some 150 audience members in the Cathedral’s transepts.

The concert, by the London Oriana Choir and Meridian Sinfonia, presented Smyth’s Mass in D alongside J.S. Bach’s Magnificat.

The listing for the concert may be found here: https://www.londonoriana.com/past-performances

Further information on the concert is available here: https://www.planethugill.com/2018/10/ethel-smyths-mass-in-g-at-southwark.html

Dr Christopher Wiley serves as historical adviser and scriptwriter for community play on Ethel Smyth

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Ethel Smyth - A Furious LongingDr Christopher Wiley has acted as historical adviser as well as one of the team of scriptwriters for the community play Ethel Smyth: A Furious Longing – The Story of Woking’s Composer.

Several years in the planning, the play was performed by Woking Community Play Association from Thursday 4–Saturday 6 October 2018 at the H.G. Wells Centre, Woking.

Dr Wiley was one of five scriptwriters who collaborated on the 90-minute play, as well as advising on its historical and musical elements.

Dr Wiley’s contributions to the script drew directly on his research on Ethel Smyth, including her involvement with the suffragette movement, her operas The Wreckers and The Boatswain’s Mate, and her relationship with the writer Virginia Woolf.

Dr Christopher Wiley delivers presentation at Ethel Smyth’s childhood home

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OLYMPUS DIGITAL CAMERADr Christopher Wiley has given a talk on Ethel Smyth at her childhood home, Frimhurst Family House, Frimley Green, on Saturday 15 September 2018.

The event was organised for Heritage Open Days by Surrey Heath Museum and the charity ATD Fourth World, which now operates at Frimhurst Family House.

It marked the unveiling of blue plaques commemorating both Smyth and the philanthropist Grace Goodman, who transformed the house into its present function as recuperative facility for families in extreme poverty.

An acknowledged expert on Smyth, Dr Wiley previously gave a talk at Frimhurst Family House on the composer and suffragette back in 2016.

Further information on the event is available here: https://www.surreyheath.gov.uk/residents/surrey-heath-museum/museum-events/heritage-open-days-surrey-heath

Dr Christopher Wiley at the unveiling of the blue plaque to Ethel Smyth in Woking

Update: The following weekend, on Saturday 22 September, Dr Wiley attended a private ceremony (pictured, above) at which a blue plaque was unveiled at Smyth’s former house in Woking.

Dr Wiley’s interview about the event for That’s Surrey TV may be viewed here: https://www.youtube.com/watch?v=IiBN2ZXVPz0

Media coverage may also be found at the following link: http://surreyresidents.co.uk/2018/09/24/blue-plaque-marks-the-duchess-of-wokings-former-home/

As well as on Woking Borough Council’s website: https://www.woking.gov.uk/news/blue-plaque-marks-duchess-woking%E2%80%99s-former-home

Dr Christopher Wiley gives talk for Heritage Open Days at Farnham Maltings

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Farnham MaltingsDr Christopher Wiley delivered a talk on Ethel Smyth in the Cellar Bar at Farnham Maltings as part of the annual programme of Heritage Open Days on Friday 14 September 2018.

Speaking to an audience of over 50 people, Dr Wiley discussed Smyth’s music, literature, and activity as a suffragette, illustrating his presentation with music examples.

Further information about Dr Wiley’s talk may be found at the following link: https://www.heritageopendays.org.uk/visiting/event/dame-ethel-smyth-composer-and-suffragette

Media coverage of the Heritage Open Days activities taking place in the local area may be viewed online here: http://www.farnhamherald.com/article.cfm?id=129364, http://www.farnhamherald.com/article.cfm?id=129629

Dr Christopher Wiley gives talk on Ethel Smyth for Woking History Society

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Ethel SmythDr Christopher Wiley gave a talk on Ethel Smyth for Woking History Society in The Gallery at Christ Church Woking on Monday 3 September 2018.

Addressing over 50 audience members, Dr Wiley’s hour-long presentation discussed Smyth’s activity as composer, author, suffragette, and, for the last several decades of her life, a Woking resident.

Dr Wiley previously spoke about Ethel Smyth at The Lightbox, Woking for International Women’s Day earlier in the year, as well as hosting and performing in a concert of Smyth’s music at Christ Church Woking in 2014, to mark the 70th anniversary of her death.

Dr Christopher Wiley delivers paper at Women’s History Network annual conference at the University of Portsmouth

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Women's History Network logoDr Christopher Wiley was among the many speakers who presented at the 27th Annual Conference of the Women’s History Network, held at the University of Portsmouth on Friday 31 August–Saturday 1 September 2018.

Entitled ‘The Campaign for Women’s Suffrage: National and International Perspectives’, the conference attracted a large delegation of scholars of women’s history internationally.

Dr Wiley’s paper, ‘Ethel Smyth, Music, and the Suffragette Movement: Reconsidering The Boatswain’s Mate as Feminist Opera’, was presented in one of the conference’s parallel sessions to an audience of some 25 academics.

Dr Christopher Wiley at the University of Portsmouth

Dr Wiley considered the extent to which Smyth’s The Boatswain’s Mate might be considered a feminist opera, with reference to the composer’s suffragette activity, the story on which the work was based, and her creative process, including her adaptation of pre-existing music in the score.

Dr Wiley has presented previous versions of his paper at several other UK universities including Surrey, Royal Holloway, and Edge Hill.

The conference website is here: http://www2.port.ac.uk/centre-for-european-and-international-studies-research/events/womens-suffrage-2018/

The complete programme for the event is available for download here: http://www2.port.ac.uk/media/contacts-and-departments/ceisr/events/Suffrage-Conference-2018.pdf

Dr Christopher Wiley gives interview on Ethel Smyth for Swedish television

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Dr Christopher Wiley has been interviewed for Sveriges Television (SVT) as part of a mini-series of half-hour programmes focusing on orchestral music composed by women.

Interview with Swedish television

Talking about Ethel Smyth, Dr Wiley was filmed in conversation with the acclaimed Norwegian conductor, Cathrine Winnes.

Filming took place on Tuesday 28 August 2018 both in Dr Wiley’s office, and on location at Smyth’s former home in Woking.

This television appearance evidences Dr Wiley’s reputation as an internationally leading researcher on Smyth, and follows his previous interviews on Smyth for radio and television earlier in the year.

The television series is due to be broadcast in Sweden in early 2019.

Dr Christopher Wiley delivers paper at conference on biography at the University of Nottingham

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1200px-University_of_Nottingham_logo.svgDr Christopher Wiley has presented a paper at the multi-disciplinary conference ‘Biography and Public History: Constructing Historical Narratives through Life-Writing’, held in the Department of Music at the University of Nottingham on Wednesday 20 June 2018.

Dr Wiley’s paper, ‘Anecdote as a Genre in Musical Biography’, drew primarily on his recent research on Victorian life-writing, while also discussing the foundational role of anecdote within musical biography from its advent at the turn of the nineteenth century onwards.

Proposing that biographical anecdote warrants recognition as a genre in its own right given its extraordinary staying power and the sophisticated narratives that developed around specific examples, Dr Wiley demonstrated its potential to contribute to a greater understanding of associated culture through the recounting of stories of its most cherished figures.

The one-day conference was attended by some 50 international delegates. Dr Wiley also chaired the opening session, which featured papers on archaeology, buildings architecture, and literature.

Further information may be found at the conference webpage: https://www.nottingham.ac.uk/conference/fac-arts/humanities/music/biography-and-public-history/biography-and-public-history.aspx

The full conference programme is available online here: https://www.nottingham.ac.uk/humanities/departments/music/documents/2018/final-programme.pdf

Dr Christopher Wiley gives paper on musical biography at Edinburgh Napier University

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EdNapUni_redDr Christopher Wiley has delivered a paper on musical biography at the ‘Music and Literature: Innovations, Intersections, and Interpretations’ conference hosted at Merchiston CampusEdinburgh Napier University, Edinburgh, Scotland on 14-15 June 2018.

Entitled ‘Musical biography and the (non-)consonance of music and literature’, Dr Wiley’s paper revealed how biographical narratives might actually contradict the evidence of the music itself, or they may represent an appropriation of specific works for a given time and place, or function to promote them within wider reading communities who may otherwise be unfamiliar with that music.

Dr Wiley drew case studies from his wider research conducted over the years on musical biography, including the apocryphal story of Mozart’s Requiem, the earliest 12 volumes of the ‘Master Musicians’ series, and Ethel Smyth’s autobiographies. The two-day conference was attended by some 50 delegates.

Further information may be found at the conference website: https://musicandliteratureconference.wordpress.com/

The full programme for the event is available online here: https://musicandliteratureconference.wordpress.com/programme/

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Dr Christopher Wiley gives interview on Ethel Smyth for Pyrford TV ARTS

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Dr Christopher Wiley at Woking Golf Club

Dr Christopher Wiley is featured in an eight-minute segment for the Spring Edition 2018 of Pyrford TV ARTS, on Woking’s famous former resident, Dame Ethel Smyth.

Speaking to presenter Tim Matthews (see picture), Dr Wiley discussed Smyth’s activity as composer, author, and suffragette, as well as her passion for sports including golf.

The eight-minute segment was filmed at Woking Golf Club in Hook Heath, near Woking, of which Smyth was a member for many years. So keen was she on the sport that she had her house built adjacent to the golf course, where she lived from 1910 until her death in 1944.

Pyrford TV ARTS produces 20-minute programmes several times a year, featuring the arts and creative worlds of Pyrford, Woking, and North Surrey. The segment on Smyth was included to tie in with the centenary of women’s enfranchisement in the UK, which falls this year.

The segment on Ethel Smyth is available for viewing online here: https://vimeo.com/262660959

The full 23-minute programme may be viewed here (the segment on Smyth starts at 09:18): https://youtu.be/fFAuVmbmmPw

The programme is also available at the Pyrford TV ARTS website: https://www.pyrfordtvarts.com/

In addition, it is featured on the webpage of the Woking Remembers 2018 programme, part of the Celebrate Woking festival: https://www.celebratewoking.info/woking-remembers

Credits: Pyrford TV (video); Surrey History Centre (images); Retrospect Opera (musical excerpt from Smyth’s opera The Boatswain’s Mate)

Dr Christopher Wiley delivers public talk on Ethel Smyth for International Women’s Day 2018

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Dr Christopher Wiley at The LightboxDr Christopher Wiley has delivered a public talk on Dame Ethel Smyth at The Lightbox, Woking for International Women’s Day (Thursday 8 March) 2018.

Addressing an audience of over 80 members of the public in The Lightbox’s Ambassador Room, Dr Wiley (pictured, left) spoke about Smyth’s life, music, and prose writings, with particular emphasis on her connections to Woking (her town of residence for over 30 years at the end of her life) and the surrounding area.

Dr Wiley also addressed the extent to which Smyth broke new ground for women both within and beyond the field of music composition, discussing her activity as a leading suffragette in the early 1910s as well as her war service, mindful of this year’s centenaries of women’s partial enfranchisement in the UK and of the end of the First World War.

A recognized expert on Smyth, Dr Wiley is frequently invited to give public lectures on the composer and writer, including recent appearances at The Guildford Institute and Frimhurst, Frimley Green (Smyth’s childhood home). This was the first of his several talks in the Surrey area this year, as well as one of a number of events commemorating Smyth for the Celebrate Woking Festival 2018.

Further information on Dr Wiley’s talk may be found here: https://www.thelightbox.org.uk/Event/ethel-smyth-composer-suffragette

The previous day, Dr Wiley had given an interview on Ethel Smyth at Woking Golf Club for an episode of Pyrford TV ARTS due to be released online in April.

 

Dr Christopher Wiley delivers Keynote lecture at international conference at the University of Amsterdam

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Dr Christopher WJanuary 2018_Amsterdam_Poster 2018 Workshop Transnational Perspectives on Artistsiley gave a Keynote lecture at the two-day international workshop, ‘Transnational Perspectives on the Writing of Artists’ Lives, 19th-21st centuries’, held at the University of Amsterdam, The Netherlands on 25–26 January 2018.

Dr Wiley’s 50-minute paper, entitled ‘Musical Biography as a National and Transnational Genre’, explored the extent to which composer life-writing reflects the preoccupations and concerns of its time and place of origin while simultaneously embodying pan-European values that remain strikingly robust across texts from different countries and centuries.

Addressed to an interdisciplinary audience primarily from The Netherlands, France, the UK, and US, Dr Wiley’s lecture developed research previously presented at the University of Oxford, and generated much productive discussion from delegates.

An internationally acknowledged expert in the field, Dr Wiley has given a number of previous keynotes at conferences on biography, including the four-day ‘(Auto)Biography as a Musicological Discourse’ held at the University of Arts, Belgrade in 2008.

The full schedule for the workshop may be viewed here: http://www.uva.nl/en/shared-content/subsites/amsterdam-institute-for-humanities-research/en/events/events/2018/01/transnational-perspectives-artists-lives.html

The programme is also available online as a PDF: https://www.huizingainstituut.nl/v02/wp-content/uploads/Programme-Workshop-Transnational-Perspectives-on-Artists-Lives-2-Jan-18.pdf

Dr Christopher Wiley delivers paper in the Music Research Colloquia series at the University of Oxford

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Dr Christopher Wiley presented his paper ‘National Trends in Musical Biography’ in the Music Research Colloquia series at the Faculty of Music, University of Oxford on 16 June 2015, to close the series for the 2014–15 academic year.

Speaking to some 25 academics and postgraduate students in the Faculty’s Denis Arnold Hall, Dr Wiley explored the relationship between musical biography and nationality, in terms of the status of the genre at particular times and places as well as its development over time.

Case studies upon which Dr Wiley drew included biographical retellings of the story of J.S. Bach’s keyboard contest with Louis Marchand, and the ideologies that emerge from the original volumes of the ‘Master Musicians’ series. Dr Wiley had presented earlier versions of this research at the Institute of Musical Research, University of London in 2015 and 2014.

The weekly colloquia are organized by graduate students and feature musicological research presented by a range of leading academics and younger researchers from universities around the world.

Details of Dr Wiley’s Research Colloquium may be found here: http://www.music.ox.ac.uk/event/research-colloquium-chris-wiley/

Faculty of Music, University of Oxford

Dr Christopher Wiley co-organizes and delivers paper at international conference on musical biography at the Institute of Musical Research, London

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Institute of Musical Research logoDr Christopher Wiley and Dr Paul Watt (Monash University, Melbourne) have co-organized a two-day international conference on musical biography held at the Institute of Musical Research, University of London, on 9-10 April 2015.

The conference, entitled ‘Musical Biography: National Ideology, Narrative Technique, and the Nature of Myth’, brought together a broad range of some 50 interdisciplinary scholars from the UK, US, Australia, and Continental Europe.

In addition to several panel sessions, the conference incorporated two invited roundtable discussions, whose speakers included Professors Simon Keefe (University of Sheffield), Mark Evan Bonds (University of North Carolina at Chapel Hill), Jonathan Cross (University of Oxford), and Rosamund Bartlett (Oxford).

In the course of the conference, Dr Wiley also chaired three of the panel sessions as well as presenting his paper ‘Myth-making and the Politics of Nationality in Narratives of J.S. Bach’s 1717 Contest with Louis Marchand’, which discussed the ideological significance of the variations in retellings of a single biographical story across different countries in the nineteenth and twentieth centuries.

The schedule for the event may be viewed at the conference website: http://events.sas.ac.uk/imr/events/view/17765/Music+Biography+Conference

The full conference programme may be downloaded here.

Dr Christopher Wiley contributes book chapter to new volume on music historiography

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Critical Music Historiography: Probing Canons, Ideologies and InstitutionsAn essay written by Dr Christopher Wiley, entitled ‘Musical Biography and the Myth of the Muse’, has appeared as the final chapter of a new anthology in which 17 international musicologists subject the writing of music history to groundbreaking scrutiny.

Critical Music Historiography: Probing Canons, Ideologies and Institutions is edited by Vesa Kurkela and Markus Mantere, and developed from the Radical Music History Symposium held at the Sibelius Academy, Finland (now part of the University of the Arts Helsinki) in December 2011, at which Dr Wiley presented a paper.

Dr Wiley’s essay explores the pattern in musical biography of specific female characters being cast in the role of ‘muse’ to a male genius, rising to prominence at specific points in that person’s life story as a signifier of their productivity and increasing artistic powers. Such women were thereby portrayed as having inspired their associated composer to greater heights, while implicitly denied the possibility of undertaking analogous creative activity themselves.

Further information

Listing of the volume on the publisher’s website: http://www.ashgate.com/default.aspx?page=637&title_id=19817&edition_id=1209349954&calcTitle=1

Listing of the volume on amazon.co.uk: http://www.amazon.co.uk/Critical-Music-Historiography-Ideologies-Institutions/dp/1472414195/

Bibliographic citation

Wiley, Christopher. ‘Musical Biography and the Myth of the Muse’, in Vesa Kurkela and Markus Mantere eds. Critical Music Historiography: Probing Canons, Ideologies and Institutions. Farnham: Ashgate, 2015, pp. 251–61.

Full text

The full text is available for free download under licence from Surrey Research Insight Open Access: http://epubs.surrey.ac.uk/803216/

 

Dr Christopher Wiley gives live interview for Monocle 24 radio show

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Dr Christopher Wiley was interviewed live on global radio station Monocle 24, as part of the show ‘The Briefing’, Episode 422, broadcast on 14 June 2013.

Monocle 24 - The Briefing‘The Briefing’ is intended to provide an analysis of the day’s major news stories, and is broadcast at 12noon London time on weekdays. It also functions as the station’s ‘drivetime show for the US East Coast’.

The subject of Dr Wiley’s interview was the recently filed lawsuit challenging the copyright to ‘Happy Birthday to You’. Dr Wiley was interviewed in his capacity as a music historian.

The interview may be heard at the following link: http://monocle.com/radio/shows/the-briefing/422/ (listen from 22.55-27.40 for Dr Wiley’s interview). The episode is also available for download in iTunes.