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Dr Christopher Wiley publishes entry in major Haydn encyclopedia

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9781107129016Dr Christopher Wiley has written the entry on ‘Contemporary Reception’ in the Cambridge Haydn Encyclopedia, edited by Caryl Clark and Sarah Day-O’Connell.

The Cambridge Haydn Encyclopedia features over 80 interlocking entries fanning out from seven extended essays at the heart of the volume, and includes a total of 67 contributors.

Dr Wiley’s 1500-word encyclopedia entry discusses Haydn’s reception during his lifetime and immediately afterwards, including the earliest biographies by Griesinger, Dies, and Carpani.

Dr Wiley previously contributed to Haydn scholarship in a major volume on the composer published in 2013.

Further information  on the volume may be found at the publisher’s website: https://www.cambridge.org/de/academic/subjects/music/eighteenth-century-music/cambridge-haydn-encyclopedia

Bibliographic citation 

Wiley, Christopher. ‘Reception, Contemporary’, in Caryl Clark and Sarah Day-O’Connell eds. Cambridge Haydn Encyclopedia. Cambridge: Cambridge University Press, 2019, pp. 321–5. ISBN 978-1-1071-2901-6.

Dr Christopher Wiley delivers paper in the Faculty of Music Colloquium Series at the University of Cambridge

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University of Cambridge Faculty of MusicDr Christopher Wiley presented a 45-minute version of his paper ‘Reconsidering Ethel Smyth’s The Boatswain’s Mate as Feminist Opera’ in the Faculty of Music Colloquium Series at the University of Cambridge.

Dr Wiley’s talk, given to an audience of some 40 academics and graduate students in the Faculty’s lecture room, was a much extended version of the paper he has delivered at women’s history events at UK universities including KentPortsmouthSurreyRoyal Holloway, and Edge Hill.

Dr Wiley previously gave an unrelated paper in an Oxbridge colloquium series in 2015.

Further information about Dr Wiley’s colloquium may be found here: https://www.mus.cam.ac.uk/events/current-events/Christopher-Wiley

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