26 May 2021
Christopher Wiley
Conference, Educational Research, Publication, Research, Teaching
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Dr Christopher Wiley has published an article on the relationship between teaching and research in contemporary higher education, drawing autoethnographically on his experiences of delivering an undergraduate module on Adele (specifically her 25 album, pictured) and popular music.
Dr Wiley’s full-length article, ‘Exploring the integration of teaching and research in the contemporary classroom: An autoethnographic enquiry into designing an undergraduate music module on Adele’s 25 album’, appeared in the top-quartile journal Arts & Humanities in Higher Education, published online on 26 May 2021 (and subsequently in print on 1 February 2022).
Previous versions of this article had been presented as papers at high-profile international conferences in the UK and Canada.
Further information on Dr Wiley’s article, including the abstract and full text, is available here: https://journals.sagepub.com/doi/10.1177/14740222211013759
Bibliographic citation
Wiley, Christopher. ‘Exploring the integration of teaching and research in the contemporary classroom: An autoethnographic enquiry into designing an undergraduate music module on Adele’s 25 album’. Arts & Humanities in Higher Education: An international journal of theory, research, and practice, Vol. 21, No. 1 (February 2022), pp. 74–93. doi: 10.1177/14740222211013759.
Full text
The full text of Dr Wiley’s journal article is available here: https://www.academia.edu/65483928/Exploring_the_integration_of_teaching_and_research_in_the_contemporary_classroom_An_autoethnographic_inquiry_into_designing_an_undergraduate_music_module_on_Adeles_25_album
8 June 2018
Christopher Wiley
Conference, Educational Research, Presentation, Research, Teaching
Adele, Adele Adkins, autoethnography, Canada, Chris Wiley, Christopher Wiley, conference, course design, curriculum design, Don Wright Faculty of Music, education, educational research, Higher Education, learning and teaching, London, module, Music, musicology, Ontario, popular music, popular music education, popular music studies, presentation, progressive methods, research, Surrey, symposium, teaching, teaching innovation, teaching practice, undergraduate, University, University of Surrey, Western University, Wiley
Dr Christopher Wiley addressed the inaugural ‘Progressive Methods in Popular Music Education’ Symposium at Western University, London, Ontario, Canada, on Friday 8 June 2018, presenting remotely via video-conference link from his office at the University of Surrey.
Dr Wiley’s paper, ‘From Research-led Teaching to Teaching-led Research: Keeping Curricula Contemporary in Higher Education Popular Music’, discussed the relationship between teaching and research in twenty-first-century UK higher education, with specific reference to his delivery of an undergraduate module on Adele’s 25 album.
A previous version of his presentation had been given at an international conference at the Institute of Musical Research, London (UK) in April 2018, focussing on the use of autoethnography as the principal methodology for the study rather than (as at this conference) on the pedagogy of popular music education and the curriculum design itself.
The two-day Symposium was hosted by the Don Wright Faculty of Music, concurrently with MayDay Group Colloquium 30. Together, the two events attracted a diverse line-up of presenters as well as over 100 registered delegates.
Further information about the ‘Progressive Methods in Popular Music Education’ Symposium is available online: http://www.music.uwo.ca/outreach/symposium-on-progressive-methods.html
The conference programme may be downloaded here: http://www.music.uwo.ca/outreach/images-pdf/mayday-progressive-methods-conference-program-2018.pdf
And presenter abstracts and biographies are available here: http://www.music.uwo.ca/outreach/images-pdf/PM-Abstracts-Fri.pdf
17 April 2018
Christopher Wiley
Conference, Educational Research, Presentation, Research
25, Adele, Adele Adkins, autoethnography, Chris Wiley, Christopher Wiley, conference, course design, curriculum design, education, educational research, Higher Education, Institute of Musical Research, learning and teaching, London, module, Music, musicology, popular music, popular music studies, presentation, research, Surrey, teaching, teaching innovation, teaching practice, undergraduate, University, University of London, University of Surrey, Wiley
Dr Christopher Wiley has organized the two-day international conference, ‘Beyond “Mesearch”: Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research in Music Studies’, held at the Institute of Musical Research, University of London, on 16-17 April 2018.
The conference, which was supported by the Institute of Musical Research as well as the University of Surrey, drew strong interest from a large international delegation of around 80 participants from across the UK, Europe, North America, and Australia.
It featured three keynote addresses and 20 papers arranged in a series of parallel sessions, together with an innovative group discussion session (which may form a model to be adopted more widely at future conferences in music studies) in which delegates separated into smaller breakout groups led by a senior academic before reporting back to the conference.
Dr Wiley also chaired a number of sessions and facilitated discussions on a range of topics, as well as delivering his paper ‘From Research-led Teaching to Teaching-led Research: An autoethnographic enquiry into keeping curricula contemporary in higher education popular music’, elements of which have previously been presented at academic forums in both music and education studies.
This event followed the success of the multi-disciplinary conference recently co-organized by Dr Wiley, ‘Writing About Contemporary Artists: Challenges, Practices, and Complexities’, held at the University of Surrey from 20-22 October 2017.
Dr Wiley previously co-organized a two-day international conference, ‘Musical Biography: National Ideology, Narrative Technique, and the Nature of Myth’, at the Institute of Musical Research in April 2015.
Further information about the ‘Beyond “Mesearch”’ conference may be found at the website: https://www.surrey.ac.uk/department-music-media/research/autoethnography-and-self-reflexivity-music-studies
The full programme, including abstracts, is available here: https://christopherwiley.files.wordpress.com/2018/04/imr-beyond-mesearch-conference-programme-16-17-april-2018.pdf
3 January 2018
Christopher Wiley
Conference, Educational Research, Presentation, Teaching
Adele, Chris Wiley, Christopher Wiley, conference, curriculum design, discussion forum, education, educational research, Higher Education, popular music, popular music studies, presentation, research, research-led teaching, Surrey, Surrey ExciTeS, symposium, teaching, teaching innovation, teaching-led research, University, University of Surrey, Wiley
Dr Christopher Wiley delivered a presentation and facilitated the ensuing discussion at the University of Surrey’s fifth annual Surrey ExciTeS (Excellence in Teaching Symposium) on Wednesday 3 January 2018.
His session, ‘From Research-led Teaching to Teaching-led Research: Keeping curricula contemporary’, explored the relationship between teaching and research and its implications for maintaining up-to-the-minute taught university curricula, for which substantial original research may necessarily be undertaken by the lecturer for the express purposes of teaching (as distinct from research previously conducted with a view to publication and used within the classroom only as a secondary endeavour).
To illustrate his arguments, Dr Wiley outlined aspects of the design of his first-year undergraduate module on Adele’s 25 album, previously discussed in a roundtable panel he convened for the Study Day on ‘Teaching and Creativity in Popular Music’ held at the University of Surrey on 10 June 2017.
Dr Wiley concluded his session by contending that the dichotomy often posited in the academic profession between teaching and research, typically viewed as two distinct (if not mutually exclusive) activities, is unhelpful for its omitting to take account of the extent of the middleground between them. He further suggested that just as teaching may be research-led, (pedagogic) research may itself correspondingly be led by teaching.
Dr Wiley has participated in all four previous Surrey ExciTeS events, delivering sessions in 2017, 2016, 2015, and 2014.
10 June 2017
Christopher Wiley
Academic Management, Conference, Educational Research, Presentation, Research, Teaching
25, Adele, Adele Adkins, Chris Wiley, Christopher Wiley, conference, creativity, education, educational research, Higher Education, learning and teaching, musicology, popular music, presentation, research, roundtable, study day, Surrey, teaching, teaching enhancement, teaching innovation, teaching practice, University, University of Surrey, Wiley
Dr Christopher Wiley organized a Study Day on ‘Teaching and Creativity in Popular Music’ at the University of Surrey on Saturday 10 June 2017, bringing together some 25 higher education academics from across England.
The day comprised a combination of paper presentations and innovative teach-in workshops, in which facilitators presented aspects of their teaching techniques in performance, songwriting, and production in genres ranging from musical theatre to hip hop.
Also included was a central roundtable discussion (pictured, below) on the subject of ‘Pedagogical Practice in Popular Music Teaching in Higher Education: Creative approaches and continuing challenges’, which Dr Wiley convened and on which he spoke about the challenges of designing an undergraduate module on genuinely contemporary popular music (specifically, Adele’s 25 album) in the absence of an established scholarly discourse on which to draw.
The event was held under the aegis of the London and South-East England 21st Century Music Practice Research Network founded in 2016 between 20 higher education institutions, as one of a series of study days framed around its six headline themes.
Further information is available at the website for the Study Day: https://www.surrey.ac.uk/department-music-media/research-department/popular-music-teaching-creativity
The full programme for the event is available here: https://www.surrey.ac.uk/sites/default/files/Study%20Day%20on%20Teaching%20and%20Creativity%20in%20Popular%20Music%20(programme).pdf
19 April 2017
Christopher Wiley
Conference, Presentation, Publication, Research
25, Adele, Adele Adkins, autobiography, Bristol, Chris Wiley, Christopher Wiley, conference, ethel smyth, Music, music and literature, musical biography, musicology, presentation, research, Surrey, University, University of Bristol, University of Surrey, Wiley
Dr Christopher Wiley presented a paper at a two-day international conference entitled ‘Beyond Genius and Muse – Collaborating Couples in Twentieth-Century Arts’, held at the Victoria Rooms, University of Bristol on 18–19 April 2017.
Dr Wiley’s paper, ‘Subject and Countersubject: The Prevalence of the Genius and the Muse in Musical Biography’, explored the pattern of collaborating couples that has emerged historically in musical biography, drawing on examples including Brahms and Clara Schumann, Ethel Smyth and Henry Brewster, Britten and Peter Pears, and Adele.
It built upon Dr Wiley’s previous scholarship conducted in this area across more than 10 years, of which the most recent output, his book chapter ‘Musical Biography and the Myth of the Muse’, was published in 2015.
The conference brought together some 50 academics from across Europe and the US, encompassing a range of topics in music, literature, and the visual arts.
Further information is available at the conference website: https://collaboratingcouples.wordpress.com/
DR CHRISTOPHER WILEY 