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Dr Christopher Wiley publishes 50th review for Musical Theatre Review

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Musical Theatre ReviewDr Christopher Wiley has written 50 reviews since February 2014 for the digital magazine Musical Theatre Review, which covers a wide variety of live events internationally, ranging from pop gigs to opera in addition to musical theatre, and is Vuelio’s no.2 theatre blog.

Among the many highlights of Dr Wiley’s activity include reviews of Elaine Paige’s ‘Stripped Back’ tour, of Mandela Trilogy by Cape Town Opera at the Royal Festival Hall, London, and of the international première of Strictly Ballroom: The Musical at Sydney Lyric Theatre, Australia.

Other highlights include the 2014 revival of Rodgers and Hammerstein’s Carousel; Sinatra: The Main Event at Cadogan Hall, London, starring Richard Shelton; and solo shows by leading West End stars Daniel Koek and Nadim Naaman.

Coincidentally, Dr Wiley’s first and 50th reviews were of two shows written and performed by the same artist, comic songwriter Alexander S. Bermange. The artist most frequently reviewed by Dr Wiley is Pippa Winslow, who features in seven different reviews.

Dr Wiley has also reviewed student productions by many of the major performing arts institutions and organisations, particularly Guildford School of Acting and Youth Music Theatre UK; as well as many new works of musical theatre, and one-off productions in popular London venues such as The Pheasantry.

A complete listing of Dr Wiley’s reviews for Musical Theatre Review is available at the following link: http://musicaltheatrereview.com/?s=Christopher+Wiley

Dr Christopher Wiley hosts pre-concert talk for Royal Philharmonic Orchestra concert

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Barry WordsworthDr Christopher Wiley acted as host and interviewer for a pre-concert talk for the Royal Philharmonic Orchestra in the Glass Room studio theatre at G Live, Guildford on Friday 7 April 2017.

Dr Wiley provided a brief introduction to the programme to be performed that evening, before interviewing the conductor, Barry Wordsworth (pictured), whose many career highlights include long-standing associations with the Royal Ballet and the BBC Concert Orchestra, as well as conducting the Last Night of the Proms in 1993.

Over 100 audience members were present for the half-hour talk, which preceded a concert whose programme included Sibelius’s Karelia Suite, Rachmaninov’s Piano Concerto No. 1 in F# minor (with soloist Natasha Paremski), and Tchaikovsky’s Swan Lake Suite, the latter specially compiled from the full ballet by Barry Wordsworth himself.

Dr Wiley has previously hosted pre-concert talks for the Royal Philharmonic Orchestra at G Live in 2015, 2014, and 2013.

Dr Christopher Wiley performs works for solo oboe in a recital at Guildford Cathedral

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Dr Christopher Wiley (oboe) performing in Guildford CathedralDr Christopher Wiley performed in a recital at Guildford Cathedral as part of its 2015 series of Summer Coffee Concerts, attended by a diverse audience of around 100.

Dr Wiley played Handel’s oboe sonata in G minor, HW364a and Saint-Saëns’s oboe sonata, Op. 166, as well as Madeleine Dring’s ‘Romance’ from Three-Piece Suite.

The recital was given jointly with Polish clarinettist Łukasz Jakimów, who performed Burgmüller’s Duo, Op. 13 and Debussy’s Première Rhapsodie. Both soloists were accompanied by Margaret Ozanne (piano).

The full schedule for the Cathedral’s 2015 Summer Coffee Concerts is available here: http://www.guildford-cathedral.org/news/2015/free-coffee-concerts

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Dr Christopher Wiley hosts pre-concert talk for Royal Philharmonic Orchestra concert

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Andrew GreenwoodDr Christopher Wiley hosted a pre-concert talk for the Royal Philharmonic Orchestra in the Glass Room at G Live, Guildford on 15 May 2015.

In the half-hour talk, Dr Wiley provided a brief introduction to the works being performed that evening, which he then discussed with the conductor for the concert, Andrew Greenwood (pictured).

The Royal Philharmonic Orchestra’s programme comprised Rossini’s The Barber of Seville Overture; Mozart’s Piano Concerto No. 21 in C major, K. 467 (with soloist Tom Poster); and Dvořák’s Symphony No. 9 in E minor, Op. 95, ‘From the New World’.

With over 90 members in the audience for the talk, G Live’s studio theatre was at capacity. Dr Wiley previously hosted pre-concert talks for the Royal Philharmonic Orchestra on 23 October 2013 and 7 November 2014.

Dr Christopher Wiley publishes 20th review for Musical Theatre Review

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Musical Theatre ReviewDr Christopher Wiley has contributed 20 reviews over the past year to the digital magazine Musical Theatre Review, which covers a wide variety of live musical theatre events internationally.

Highlights of Dr Wiley’s activity include reviews of the acclaimed revival of Rodgers and Hammerstein’s Carousel at the Arcola Theatre, London; of Sinatra: The Main Event at Cadogan Hall, London, starring Richard Shelton; and of the international première of Strictly Ballroom: The Musical at Sydney Lyric Theatre, Australia.

Dr Wiley has also enjoyed reviewing student productions by Guildford School of Acting, Performance Preparation Academy, and Youth Music Theatre UK; as well as new musical theatre works presented in Guildford and the neighbouring areas, and several live gigs at The Pheasantry, London. His reviews have attracted much attention on social media.

A complete listing of Dr Wiley’s reviews for Musical Theatre Review is available at the following link: http://www.scoop.it/t/christopher-wiley-bibliography-of-reviews

Dr Christopher Wiley hosts pre-concert talk for all-Beethoven Royal Philharmonic Orchestra concert

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Dr Christopher Wiley hosted a pre-concert talk for the Royal Philharmonic Orchestra in the studio theatre at G Live, Guildford on 7 November 2014.

Eduardo PortalDr Wiley opened by providing a brief introduction to the repertoire being presented that evening, before engaging in some lively discussion with the conductor, Eduardo Portal (pictured).

The Royal Philharmonic Orchestra’s all-Beethoven programme featured the Coriolan Overture, Piano Concerto No. 2 (with soloist Joaquín Achúcarro), and the ‘Pastoral’ Symphony.

The 25-minute pre-concert talk was attended by approximately 80 concert-goers. Dr Wiley previously hosted a pre-concert talk for the Royal Philharmonic Orchestra on 23 October 2013 (see here).

Dr Christopher Wiley leads recital of the music of Dame Ethel Smyth on the 70th anniversary of her death

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Christ Church WokingDr Christopher Wiley organized a recital of the music of Dame Ethel Smyth, given at Christ Church Woking by staff and students of the School of Arts at the University of Surrey, to coincide with the 70th anniversary of the composer’s death in Hook Heath, near Woking on 8 May 1944.

The one-hour lunchtime recital of chamber, vocal, and solo keyboard works featured pianists Maureen Galea and Margaret Roberts, Isabella Stocchetti (flute), and Christopher Wiley (oboe, organ), as well as members of the University Chamber Choir. The full programme was as follows:

  • Two Interlinked French Folk Melodies (1928, from the opera Entente cordiale) for flute, oboe, and piano (Isabella Stocchetti, flute; Christopher Wiley, oboe; Margaret Roberts, piano)
  • Aus der Jugendzeit!! E. v. H. (c.1878–80) (Maureen Galea, piano)
  • Nocturne (Kanon in Gegenbewegung) (c.1877–80) (Maureen Galea, piano)
  • ‘O Gott du frommer Gott’ and Canon on ‘O Gott du frommer Gott’ (Nos. IIa & IIb from Short Choral Preludes, c.1882–4) (Christopher Wiley, organ)
  • Piano Suite in E major (c.1877–1880) (Maureen Galea, piano)
  • Variations on Bonny Sweet Robin (Ophelia’s Song) (1928) (Isabella Stocchetti, flute; Christopher Wiley, oboe; Margaret Roberts, piano)
  • Overture to the opera The Boatswain’s Mate, Piano transcription (1913–14) (Maureen Galea, piano)
  • ‘Laggard Dawn’ and ‘The March of the Women’ (Nos. 1 & 3 from Songs of Sunrise, 1910) (University Chamber Choir, dir. Isabella Stocchetti; Maureen Galea, piano)

Dr Wiley, who has been conducting research on Ethel Smyth for over a decade, also gave spoken introductions to each piece, and Surrey History Centre provided their ‘Musical Passions’ exhibition celebrating Smyth’s life.

Attended by some 50 audience members, this commemoration followed the Ethel Smyth Symposium hosted at the University in February of this year.

Update: The event was favourably reviewed by Sebastian Forbes, who wrote that ‘Senior lecturer Christopher Wiley, who has done much research into Smyth, not only devised and introduced the concert but also, very expertly, played oboe and organ.’

The review is available here: http://blogs.surrey.ac.uk/arts/2014/05/12/celebrating-the-life-and-work-of-dame-ethel-smythe-concert-at-christ-church-woking/

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