Dr Christopher Wiley has edited, together with Dr Lucy Ella Rose (University of Surrey), a new volume entitled Women’s Suffrage in Word, Image, Music, Stage and Screen: The Making of a Movement, published by Routledge in 2021.
The essay collection incorporates chapters written by authors who presented papers at a conference co-organized by Dr Wiley and Dr Rose at the University of Surrey in 2018, together with other invited contributors.
Authors range from distinguished senior academics to up-and-coming postgraduate researchers, and include Anne Anderson, Kathy Atherton, V. Irene Cockroft, Elizabeth Crawford, Brigitte Caroline Dale, Kristin M. Franseen, Amy Galvin, Marleen Hoffmann, Eleanor March, Gursimran Oberoi, Naomi Paxton, Sarah Pedersen, June Purvis, Lucy Ella Rose, Christopher Wiley, and Marion Wynne-Davies. The full table of contents may be viewed here.
Dr Wiley’s chapter in the volume, ‘Ethel Smyth, music and the suffragette movement: Reconsidering The Boatswain’s Mate as feminist opera’, discusses Ethel Smyth’s opera The Boatswain’s Mate in relation to the composer’s recent service to the suffragette movement, and subjects the common supposition that the work constitutes a ‘feminist opera’ to fresh scrutiny.
Dr Wiley and Dr Rose also co-authored the editorial introduction, ‘Women’s suffrage and cultural representation: The making of a movement’, in which they provide some historical context for the women’s suffrage movement and the many ways in which art intersected and engaged with it.
For further information (including reviews), and to purchase the volume: https://www.routledge.com/Womens-Suffrage-in-Word-Image-Music-Stage-and-Screen-The-Making-of/Wiley-Rose/p/book/9780367361983
Bibliographic citations
Wiley, Christopher. ‘Ethel Smyth, music and the suffragette movement: Reconsidering The Boatswain’s Mate as feminist opera’, in Christopher Wiley and Lucy Ella Rose eds. Women’s Suffrage in Word, Image, Music, Stage and Screen: The Making of a Movement. London: Routledge, 2021, pp. 169–85.
Wiley, Christopher and Lucy Ella Rose. ‘Women’s suffrage and cultural representation: The making of a movement’, in Christopher Wiley and Lucy Ella Rose eds. Women’s Suffrage in Word, Image, Music, Stage and Screen: The Making of a Movement. London: Routledge, 2021, pp. 1–14 .
Wiley, Christopher and Lucy Ella Rose eds. Women’s Suffrage in Word, Image, Music, Stage and Screen: The Making of a Movement. London: Routledge, 2021. pp. xxxv, 288. ISBN 978-0-367-36198-3 (hardback), 978-1-032-02492-9 (paperback).
Full text
The full text of Dr Wiley’s chapter is available here: https://www.academia.edu/65113008/Ethel_Smyth_Music_and_the_Suffragette_Movement_Reconsidering_The_Boatswains_Mate_as_Feminist_Opera
And the full text of the co-authored editorial introduction may be downloaded here: https://www.academia.edu/65112276/Womens_Suffrage_and_Cultural_Representation_The_making_of_a_movement
Update: The volume has received an excellent review by Katy Owen in the journal Women’s History Review: https://www.tandfonline.com/eprint/N36ZJDRPGIQHRC2K7D2X/full
Dr Christopher Wiley has co-edited, together with 
Dr Christopher Wiley has written a major book chapter on musical biography for a new essay collection published by Oxford University Press, 
Dr Christopher Wiley has contributed an essay to a major 70-chapter anthology, The Edinburgh Companion to Literature and Music, edited by Delia da Sousa Correa and published by Edinburgh University Press.
DR CHRISTOPHER WILEY 