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Dr Christopher Wiley organizes inaugural University Music Careers Evening

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City University LondonThe Centre for Music Studies at City University London hosted its inaugural ‘Careers with a Music Degree’ evening on Tuesday 12 February 2013 from 6-9pm, organized by Dr Christopher Wiley.

The event welcomed external speakers from a range of different music-related professions including venue management, teaching, freelance performance, the music business, music therapy, sound recording, and graduate positions. In addition to explaining their own roles and professions, the panel of experts had many useful employability tips to pass on to the students.

Speakers represented organizations including the British Broadcasting Corporation, the Barbican, The Latymer School, ForeSound School of Music and the Performing Arts, Mazars LLP, and the Incorporated Society of Musicians. Several were recent graduates of the City BMus programme who were now in key positions within their profession.

Around 50 current students were in attendance (together with former students and staff). Many have now made important new contacts and some have even secured placement opportunities as a direct result of the event.

Dr Christopher Wiley and recent student Dionysios Kyropoulos featured in Independent article on music degrees and associated career opportunities

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An article published today (22 November) in the Creative Arts supplement of The Independent newspaper features quotations from Dr Christopher Wiley as well as a profile of his recently-graduated BMus student Dionysios Kyropoulos.

In ‘Notes on working in music’, by journalist David Crookes, Chris tops a list of UK academics quoted in the article, who between them explain that a music degree can open up a wealth of career opportunities for the aspiring student. Chris notes that ‘There certainly is more to being a successful musician than simply playing an instrument’, before outlining some of the many career-enhancing benefits of studying music at university.

Dionysios, whose dissertation on historically-informed gestures in Baroque vocal performance was prepared under Chris’s supervision, explains how his passion for classical singing and opera led him to the UK (from Greece) and to City University London, in order to benefit from solid academic foundations for his studies in tandem with high-quality singing training.

Click here to read the full article in scanned form, or here to read the article at The Independent website.